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Paradigms of Paranoia : The Culture of Conspiracy in Contemporary American Fiction download pdf

Paradigms of Paranoia : The Culture of Conspiracy in Contemporary American Fiction download pdf

Paradigms of Paranoia : The Culture of Conspiracy in Contemporary American Fiction by Samuel Chase Coale
Paradigms of Paranoia : The Culture of Conspiracy in Contemporary American Fiction
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Author: Samuel Chase Coale
Page Count: 272 pages
Published Date: 31 Mar 2005
Publisher: The University of Alabama Press
Publication Country: Alabama, United States
Language: English
ISBN: 9780817314477
File Name: paradigms.of.paranoia.the.culture.of.conspiracy.in.contemporary.american.fiction.pdf
Download Link: paradigms of paranoia the culture of conspiracy in contemporary american fiction
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The recent popularity of The DaVinci Code and The Matrix trilogy exemplifies the fascination Americans have with conspiracy-driven subjects. Though scholars have suggested that in modern times the JFK assassination initiated an industry of conspiracy (i.e., Vietnam and the Pentagon Papers, Area 51, Iran-Contra Affair), Samuel Chase Coale reminds us in this book that conspiracy is founda-tional in American culture - from the apocalyptic Biblical narratives in early Calvinist households to the fear of Mormon, Catholic, Jewish, and immigrant populations in the 19th century. Coale argues that contemporary culture - a landscape characterized by doubt, ambigulty, fragmentation, information overload, and mistrust - has fostered a radical skepticism so pervasive that the tendency to envision or construct conspiracies often provides the best explanation for the chaos that surrounds us. Conspiracy as embodied in narrative form provides a fertile field for explorations of the anxiety lying at the heart of the postmodern experience. Thomas Pynchon's The Crying of Lot 49, Don DeLilio's Underworld, Toni Morrison's Jazz and Paradise, Joan Didlon's Democracy, Tim O'Brien's In the Lake of the Woods, and Paul Auster's New York City Trilogy are some of the texts Coale examines for their representations of isolated individuals at the center of massive, anonymous master plots that lay beyond their control. These narratives remind us that our historical sense of national identity has often been based on the demonizing of others and that American fiction arose and still flourishes with apocalyptic visions - in the very marrow of its narrative bones.

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